In the late 1970s, Western disco was getting popular in Asia and particularly in India, where there were not yet any home-bred disco stars. It was this reason that led establishedIndian filmmaker and actor Feroz Khan to England and to Biddu, in 1979. Khan wanted to introduce a catchy song in his upcoming Hindi filmQurbani, in which the main score of the film was to be legendary Indian music duo, Kalyanji Anandji. Biddu initially wasn't interested in composing a Hindi film song, but later took it up as he would say years later, "I thought it would keep my mum happy (back home in India)". About the same time Khan happened to come across 15-year-old Nazia Hassan at a party in London. Khan later requested Hassan have an audition with Biddu. Biddu later signed her up for the song he was composing for Qurbani.

It did not take a long time for Biddu to compose "Aap Jaisa Koi" for Qurbani. The tune and composition he used for "Aap Jaisa Koi" was similar to several of his earlier songs, particularly the 1976 Tina Charles hit "Dance Little Lady Dance". As the girl, Nazia Hassan, had a nasal voice, Biddu decided to backtrack it for an echo effect. The song which was recorded in London, was the first Hindi song to be recorded on 24 tracks. In 1980, Qurbani ran to packed houses in India, largely on the weight of "Aap Jaisa Koi" and another number "Laila O Laila". Nazia Hassan became a teenage sensation. "Aap Jaisa Koi" was a massive hit across the Indian subcontinent.

Riding on the massive popularity of the song and the film, Biddu decided to sign Nazia Hassan and her brother Zoheb Hassan up for a Urdu pop album, something hitherto not tried in India. Biddu modelled them on the then popular American brother-sister duo, The Carpenters. Biddu composed a few catchy numbers for Nazia and Zoheb for the albumDisco Deewane. In 1981, the album was a massive hit across Asia, South Africa, and some countries in South America (particularly Brazil where it topped the charts), charting in 14 countries. The album became the best-selling Asian pop album up until that time. The 15-year-old teenage Pakistani singer Nazia Hassan became a household name across the South Asian subcontinent as a result and Biddu saw his stars rise across the region. Disco Deewane was followed by the production of three more heavy hitters with Nazia and Zohaib; Star/Boom Boom in 1982 (the number "Boom Boom" from the album and film Star was a big hit), then the album Young Tarang 1984 two years later, before winding up again with the duo in 1987 with Hotline. The duo went on to sell as many as 60 million records worldwide.

Beyond Southern Asia, he also had some success in another part of Asia, the Far East. After having previously had a chart-topping hit in Japan with The Tigers in 1969, he returned there to work with the popular Japanese idol and J-pop singer Akina Nakamori, for whom he produced "Don't Tell Me This is Love" in 1985. It was included in her 1985 album My Best Thanks, which topped the Japanese charts and sold around 300,000 copies. He produced several more hit songs for Akina Nakamori, including the 1987 songs "The Look That Kills" and "Blonde",[19][41] which became chart-topping hits in Japan. "Blonde" in particular sold over 300,000 copies in Japan that year. He also worked in Hong Kong, where he produced and composed the song "傷心戲院" ("Sad Theater") for C-pop singer Samantha Lam in 1988. In the Philippines, the song "Chic-Chica-Chic-Chica-Chic" from his hit 1976 album Rainforest was used as the main theme of the popular 1980s sitcom Chicks to Chicks. In the late 1980s, he returned to the UK music scene with house music records such as "Humanity" (1989).


Biddu, or Biddu Appaiah (Kannadaಬಿದ್ದು ಅಪ್ಪಯ್ಯ) (born 1944), is an Indian-born, England-based music producer, composer, songwriter and singer who produced and composed many hit records worldwide during a career spanning five decades.Considered one of the pioneers of disco,Euro disco, and Indian pop, he has sold millions of records worldwide, and has received Grammy[6] and Ivor Novello awards for his work.He has been ranked at number 34 on NME's "The 50 Greatest Producers Ever" list.

Biddu was born in Bangalore, Karnataka, India. He began his music career in the 1960s, singing as part of a music band in India before moving to England where he would start his career as a producer. He eventually found some success producing a hit song for Japanese band The Tigers in 1969, scoring the soundtrack for 1972 British film Embassy, and producing several early disco songs that would find a niche audience in British northern soul clubs during the early 1970s.

His international breakthrough came in 1974 with "Kung Fu Fighting" performed by Carl Douglas; the song became one of the best-selling singles of all time with eleven million records sold, helped popularise disco music, was the first worldwide disco hit from Britain and Europe, and established Biddu as one of the most prolific dance music producers from outside the United States at the time. He soon began producing his own instrumental albums under the name Biddu Orchestra, which started an orchestral disco trend in Britain and Europe with 1975 hits "Summer of '42" and Blue Eyed Soul; his solo albums eventually sold 40 million copies worldwide. He also launched the careers of other British disco stars such as Tina Charles,] helping her sell 36 million records within a few years, and Jimmy James; scored soundtracks for several British films such as The Stud (1978);and produced a hit song for late French singer Claude François. Biddu also experimented with electronic disco[11] and Hi-NRGmusic from the mid-1970s, and influenced British new wave bands such as The Buggles, founded by two of his former session musicians Trevor Horn and Geoff Downes.

Following the decline of disco in the Western world, he later found success in Asia during the 1980s, where he launched the careers of the late Pakistani pop singer Nazia Hassanand her brother Zohaib; he produced their debut album Disco Deewane, which charted in fourteen countries and became the best-selling Asian pop album up until that time,and helped the duo eventually sell 60 million records worldwide. During that decade, he also produced several hit Bollywood soundtracks for films such as Qurbani (1980)as well as several hit songs for Japanese pop idol Akina Nakamori and Chinese pop singer Samantha Lam (林志美). In the 1990s, he popularised Indian pop with the hit album Made in India (1995), which became the best-selling pop album in India and launched the career of Alisha Chinai, after which he would launch the careers of several more Indian pop acts such as Shaan and his sister Sagarika as well as Sonu Nigam. In the 2000s, Biddu has been active in the Western and Indian music scenes producing albums which are more spiritual and Eastern-oriented. He rearranged a classical hit for Luke Kenny's film, Rise of the Zombie.

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09.02.2016 (09.02.2016)
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Date of BirthNov 30, 1943
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